Ian Wilson was born in Belfast and began composing while at university. He has written nearly one hundred and fifty works, including chamber operas, concertos, string quartets, a range of orchestral and chamber music and multi-media pieces. His compositions have been performed and broadcast on six continents, and presented at festivals including the BBC Proms, Venice Biennale and Frankfurt Bookfair and at venues such as New York’s Carnegie Hall, London’s Royal Albert and Wigmore Halls, Amsterdam’s Concertgebouw and Muziekgebouw, Vienna’s Musikverein and Tokyo’s Suntory Hall. Wilson has in recent years also worked with jazz musicians, Asian tabla and Chinese pipa players and traditional Irish singers; he has also collaborated with choreographers, theatre directors and electroacoustic and computer music composers.
In 1991, Running, Thinking, Finding received the composition prize at the Ultima festival in Oslo, and in 1992 he received the Macaulay Fellowship administered by the Arts Council of Ireland. In 1998 he was elected to Aosdána, Ireland’s State-sponsored body of creative artists and in recent years he has been AHRB Research Fellow at the University of Ulster, Composer-in-Association with California’s Camerata Pacifica ensemble and An Foras Feasa post-Doctoral Research Fellow at Dundalk Institute of Technology in Ireland. He was director of the Sligo New Music Festival from 2003 to 2011 and from 2010 to 2013 is Associate Composer with the Ulster Orchestra.
There are commercially-available recordings of nearly fifty of Wilson’s works on labels including Diatribe, Riverrun, Black Box, Timbre, Guild, Meridian and Chandos. His music is published by Ricordi (London) and Universal Edition and website is www.ianwilson.org.uk
Recent works include Flags and Emblems, a fantasy for piano, orchestra and flute band (2012), motherFUNK! for baritone saxophone and Boss RC-300 Loopstation (2012) and Pulsar for saxophone quartet and organ (2012).
Updated January 2013
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